Study guide: British Medieval Literature

Course Outline

  1. Medieval Dates and Society
  2. Languages and Literary Change
  3. Medieval Literary Genres
  4. Allegory and Alliterative Poetry
  5. Romance and Chivalric Ideals
  6. Geoffrey Chaucer
  7. Canterbury Tales and Pilgrims
  8. The Miller’s Portrait
  9. Middle English Pronunciation and Vocabulary
  10. Old English, Themes, and Analysis

Key Dates

  1. 1066William of Normandy defeated Harold Godwinson at Hastings in the Norman Conquest.
  2. 1066–1485The English Middle Ages or Middle English period is conventionally dated.
  3. 1170Thomas Becket was murdered in Canterbury Cathedral, and his cult helped make Canterbury a major pilgrimage site.
  4. c. 1343–1400Geoffrey Chaucer lived approximately until 1400.
  5. 1476William Caxton established a printing press at Westminster, helping English texts circulate more widely.
  6. 1485The Battle of Bosworth traditionally marked the end of the medieval period and the beginning of the Tudor period.

1. Medieval Dates and Society

Key Concepts & Definitions

  • Feudal society: Strongly hierarchical and structured by landholding, obligations, and social status.

★ Must-know

  • The Church was central to medieval education, culture, and morality, while Latin was the principal language of Western Christian scholarship and liturgy.

  • War, famine, and epidemics, especially the Black Death from 1348, fostered literary concerns with death, sin, and salvation.

Further detail

  • After the Norman Conquest, Anglo-Norman French became closely associated with the court and ruling aristocracy.

  • Peasants and workers formed most of the population, whose lives were affected by agricultural work, taxation, war, famine, and disease.

  • Urban and merchant groups became increasingly important in the later Middle Ages as trade and towns developed.

  • Medieval society included:

    • nobles
    • clergy
    • knights
    • merchants
    • artisans
    • peasants
    • other groups

Memory Hook

1066 begins the period; Bosworth in 1485 marks its traditional end.

2. Languages and Literary Change

Key Concepts & Definitions

  • Middle English: A collection of evolving regional varieties that gradually developed from Old English.

★ Must-know

📌 Old English was the language of Anglo-Saxon England before and around the Norman Conquest, while Middle English developed later as evolving regional varieties.

  • Medieval England was multilingual for centuries, with English, Anglo-Norman French, and Latin serving different social and institutional functions.

Further detail

  • Examples of French-influenced English vocabulary include:
    • court
    • justice
    • government
    • noble
    • parliament
    • beef
    • mutton

3. Medieval Literary Genres

★ Must-know

  • Medieval literature included: oral songs, poems, and folk ballads, religious drama, including mystery or miracle plays and morality plays, romance narratives, allegorical and alliterative poetry, didactic writing

Further detail

  • Medieval literature could aim to teach religious, moral, or practical lessons.

4. Allegory and Alliterative Poetry

Key Concepts & Definitions

  • Allegory: the professor’s slide - A way of conveying a hidden moral, spiritual, or political meaning through symbolic characters and events; it can function as an extended metaphor.
  • Alliterative poetry: Verse using the repetition of initial consonant sounds as a fundamental structural element, with key words in a line or half-line sharing a sound to create rhythm and musicality.

★ Must-know

📌 An allegory has a literal level consisting of what happens in the narrative and a symbolic level consisting of what its characters or events represent beyond the narrative.

  • Pearl and Sir Gawain and the Green Knight belong to the Middle English alliterative tradition.

Further detail

  • Abstract qualities personified in allegory include:

    • Gluttony
    • Envy
    • Truth
  • Allegory can satirize people, institutions, or social behaviour.

  • The Tortoise and the Hare can be read allegorically as contrasting perseverance with overconfidence.

  • Alliterative verse was especially important in Old and Middle English and has roots in Germanic poetic traditions.

  • The professor’s example from Sir Gawain and the Green Knight repeats initial consonant sounds in “Then they brought him a steed, The strongest and best, That ever stepped in stables, With stamping hooves.”

Memory Hook

Allegory has literal and symbolic levels; alliteration builds verse through repeated initial sounds.

5. Romance and Chivalric Ideals

Key Concepts & Definitions

  • Medieval romance: A vernacular narrative tradition, not simply a story about romantic love, often following a hero through adventures, tests, battles, journeys, or quests.
  • Quest: A journey or mission through which a romance hero is tested.

★ Must-know

  • Chivalric ideals include:

    • courage
    • loyalty
    • honour
    • service
  • The traditional bodies of romance matter are:

    • Matter of Britain: Arthurian material
    • Matter of France: Charlemagne and Roland
    • Matter of Rome: classical or ancient material

Further detail

  • Romance narratives often make a hero’s honour, reputation, and moral or social status central.

  • Romance marvels may include:

    • supernatural events
    • monsters
    • magic
    • extraordinary adventures

Memory Hook

CHAM: courage, honour, adventure, marvels.

6. Geoffrey Chaucer

★ Must-know

  • Chaucer’s most famous work is The Canterbury Tales, written over several years, probably from the late 1380s into the 1390s.

  • Chaucer contributed to the development of literary English through complex characterization, irony, social observation, and experimentation with genre.

Further detail

  • Chaucer’s other works include:

    • Troilus and Criseyde
    • The Book of the Duchess
    • The House of Fame
    • The Parliament of Fowls
  • The traditional honorific “Father of English Literature” describes Chaucer’s importance but does not mean he was the first English writer, since English literature predates him by centuries.

7. Canterbury Tales and Pilgrims

Key Concepts & Definitions

  • General Prologue: A gallery of portraits introducing the pilgrims as they prepare to leave the Tabard Inn.

★ Must-know

  • 🔄 The frame narrative proceeds as follows:

    1. Pilgrims meet at the Tabard Inn in Southwark.
    2. They travel toward Canterbury to visit St Thomas Becket’s shrine.
    3. They tell stories in a contest proposed by the Host.
  • Twenty-four tales survive in The Canterbury Tales, and Chaucer’s unfinished project is generally understood to have planned four tales per pilgrim—two on the way to Canterbury and two on the return—for a theoretical total of 120.

  • Chaucer develops each character through:

    • physical details
    • clothing
    • occupation
    • social position
    • behaviour
  • The General Prologue’s descriptions can be realistic, comic, and ironic at once, as a narrator’s praise may be undermined by details that reveal contradictions.

Further detail

  • The Canterbury Tales combines verse and prose.

  • The Canterbury Tales ranges in tone from comic, ironic, and sometimes ribald to serious, religious, tragic, or moral.

  • The slide describes 29 pilgrims preparing to leave the Tabard Inn.

  • Major pilgrims include the Knight, Squire, Prioress, Monk, Friar, Merchant, Clerk, Sergeant of Law, Franklin, Wife of Bath, Parson, Miller, and Pardoner.

  • Named sources and traditions include:

    • Dante’s Divine Comedy
    • Boccaccio’s Decameron
    • Petrarch
    • Le Roman de la Rose
    • Le Roman de Renart
    • other traditions

8. The Miller’s Portrait

★ Must-know

  • The Miller is portrayed as physically powerful, coarse, noisy, and morally dubious, with an accumulation of grotesque physical details.

  • The Miller is dishonest: he can steal corn and take extra tolls.

Further detail

  • The Miller’s portrait emphasizes strength through references to “brawn,” “bones,” wrestling, and his ability to break doors.

  • The portrait’s grotesque details include:

    • a red beard
    • a wart
    • a tuft of hair
    • wide nostrils
    • an enormous mouth
  • The Miller’s sword, buckler, and physical power suggest violence and aggression.

  • The Miller is called “janglere,” meaning talkative, and “goliardeys,” describing a coarse or jovial entertainer.

  • The proverb “An honest miller hath a golden thumb” is used ironically against the Miller’s dishonesty.

  • The Miller’s grotesque physical imagery makes him memorable, while his occupation and dishonesty support humorous comment on social morality.

Memory Hook

The Miller’s dishonest conduct contrasts with the ideal of the honest miller.

9. Middle English Pronunciation and Vocabulary

Key Concepts & Definitions

  • Great Vowel Shift: A major set of systematic changes in the pronunciation of long vowels between Middle English and Modern English that occurred after Chaucer.

★ Must-know

  • The major pronunciation difference between Chaucer’s Middle English and Modern English concerns the long vowels, while consonants were generally closer to their written forms. - the professor’s pronunciation slide

Further detail

  • The initial consonant groups kn- in knight and wr- in write were pronounced more fully in Chaucer’s time than in Modern English.

  • Chaucer’s r was pronounced more fully than the r in modern non-rhotic English.

  • The slide’s simplified vowel chart gives these guides (Professor):

    • y / i: close to the vowel in “meet” (myne, sight)
    • / ee (close e): long close e (me, meet, mete)
    • (open e): open e, unlike modern “meet” (begge, rede)
    • a / aa: long a (mate, maat)
    • u / ou: long u, represented as /un/ before later changes (hus, hous)
    • / oo (close o): long close o (bote, boot)
    • open o: open o with later developments that vary (lof, ok)
  • The Middle English vocabulary list gives “adoun” = down; “agast(e)” = afraid or frightened; “agayn(s)” = against or toward; “ago / agoon” = gone or ago; “al” = all; “al be that” = although; “also” = also or as well; “anon” = at once; “artow” = art thou or you are; and “atte” = at or at the.

  • The Middle English vocabulary list gives “aventure” = chance; “axe” = ask; “ay” = always; “benedicite” = bless us; “bet” = better; “beth” = are or be; “bitwixen” = between; “blake” = black; “blyve” = quickly or soon; “brennen” = burn; “brest / brast” = burst; “can / kan” = know or be able; and “canstow” = can you or you can.

  • The Middle English vocabulary list gives “cas” = happening or chance; “certes” = surely or certainly; “certeyn” = certainly or sure; “chees / chesen” = choose or chose; “cheere / chiere” = facial expression; “clepe(n)” = call; “clerk” = scholar; “conne” = learn, know, or be able; “conseil” = counsel or advice; “coude” = could or knew how; “coy” = quiet; “deel” = bit or portion; and “delit” = delight or pleasure.

  • The Middle English vocabulary list gives “deme” = judge or suppose; “devyse” = tell or describe; “deye” = die; “dorste” = dare or dared; “fro” = from; “gan / gonne” = began; “hente” = take, seize, or get; “hende” = courteous or pleasant; “kepe” = heed or take care; “konnyng” = skill or knowledge; “maistow” = may you or you may; “nam” = am not; and “namoore” = no more.

  • The Middle English vocabulary list gives “noght” = not or nothing; “pardee” = by God, a common oath; “parfit” = perfect; “quyte / quitte” = requite or repay; “rede” = advise, interpret, or read; “rekke / recche” = heed or care; “seith” = says; “seke” = seek; “sooth / sothe” = truth or truly; “sped him” = hastened; “swynk / swynken” = work; “tellen” = tell or count; “ther” = there or where; and “thee” = you.

  • The Middle English vocabulary list gives “thilke” = that or those; “to” = to or too; “toward” = toward; “tweye” = two; “wende / wenden” = go or pass; “whan” = when; “where / wher” = where; and “which” = that, which, or who.

10. Old English, Themes, and Analysis

★ Must-know

  • The course’s historical sequence is Caedmon and the Old English tradition, the Norman Conquest in 1066, Middle English, Chaucer, and later Early Modern English.

  • Recurring themes include:

    • religion
    • mortality
    • social hierarchy
    • appearance versus reality
    • honour and chivalry
    • corruption
    • storytelling
    • language
  • The medieval period involved profound linguistic, social, and literary change: multilingualism, the Church’s influence on education and morality, coexistence of romance and religious literature with varied secular writing, and the expressive possibilities of Middle English demonstrated by Chaucer.

Further detail

  • Caedmon’s Hymn is an Old English text that celebrates the Creator and begins “Nu scylun hergan hefaenricaes Uard…”.

  • Old English features shown by the text include:

    • Germanic vocabulary
    • inflections
    • strongly rhythmic poetry
  • Religious themes include:

    • salvation
    • sin
    • morality
    • pilgrimage
    • saints
    • the Church
  • Mortality themes include:

    • death
    • disease
    • war
    • the fragility of human life
  • Social hierarchy themes include:

    • class
    • occupation
    • wealth
    • authority
    • social mobility
  • Chivalric ideals of honour are tested by action and temptation, while corruption exposes tension between religious ideals and material interests.

  • A text analysis can proceed by identifying context, form, description, language, tone, themes, and interpretation, including the difference between what a narrator says and what the text suggests.

Memory Hook

Caedmon and Old English precede the Conquest, Middle English, Chaucer, and later Early Modern English.

Test yourself

Take a 11-question practice quiz on British Medieval Literature, with every answer explained.

1. Which feature best characterizes the structure of feudal society?

2. What historical change is traditionally associated with the Battle of Bosworth in 1485?

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Study with flashcards

Memorize the key concepts of British Medieval Literature with 10 flashcards.

In which year did William of Normandy defeat Harold Godwinson at Hastings?

1066.

What dates conventionally define the English Middle Ages?

1066 to 1485.

How did Middle English differ from Old English in its regional form?

Middle English developed as evolving regional varieties.

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