Rediscovering classical texts β admiring ancient style and human virtues
β Must-know
π Medieval culture presented a theocentric world with God at the center and human beings as humble subjects of divine will, whereas Renaissance culture presented an anthropocentric world with human beings at the center and as makers of their own destiny.
Further detail
Medieval humility before God versus Renaissance confidence in human agency
β Must-know
Further detail
Collect β compare β correct β understand
β Must-know
Renaissance artists no longer worked only on commission but actively participated in the revival of classical civilization by traveling, discovering, and studying.
Gutenberg printed the Latin Bible, known as the Bible of the 42 lines, in 180 copies.
Printing increased access to knowledge, reduced book prices, increased literacy, and widened the readership of literary works translated from Latin into the vernacular.
Further detail
Renaissance artists were considered precursors of modern scientists, with Leonardo da Vinci given as an example.
Movable-type printing used small lead blocks bearing the letters of the alphabet.
Printing books more cheaply β wider access to knowledge and reading
β Must-know
π A court intellectual gained protection and privileges but was subject to the ruler's wishes and could lose those privileges after opposing a ruling family.
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Court protection offered cultural opportunities but subordinated intellectuals to rulers
β Must-know
Further detail
Spontaneous groups β free discussion β institutional academies
The Church used the Inquisition and the Index of Prohibited Books to prevent dissent and restrict Protestant ideas.
Foreign invasions, Spanish domination over much of Italy, and Church control caused people to lose confidence in their ability to control their destiny and increased fear, uncertainty, and the sense of sin.
Foreign domination and ecclesiastical control β fear, censorship, and reduced creativity
β Must-know
At the beginning of the sixteenth century, the vernacular became a literary language partly because of printing, but Italy still had many vernaculars without fixed grammatical rules.
The Accademia della Crusca was founded in 1583 on the initiative of the grammarian Leonardo Salviati to preserve the purity of the literary language.
Further detail
During the fifteenth century, Tuscan became a widespread linguistic model through imitation of Tuscan works, creating the later need for a common literary language.
The name Crusca refers to separating flour, representing elegant and correct Italian, from bran, representing incorrect forms.
Many unregulated vernaculars versus the search for one literary language
Theories of the Italian Literary Language
| Theory | Supporter | Main proposal |
|---|---|---|
| Archaizing | Pietro Bembo | Recover the Florentine language of the great fourteenth-century authors, especially Petrarch and Boccaccio |
| Contemporary Florentine | NiccolΓ² Machiavelli | Use a living language rich in neologisms |
| Courtly | Baldessar Castiglione | Draw on the language spoken in the various Italian courts |
Take a 23-question practice quiz on Humanism and the Renaissance, with every answer explained.
1. What was the main cultural focus of Humanism in fourteenth-century Italy?
2. Why did humanists admire ancient Greek and Roman authors?
Memorize the key concepts of Humanism and the Renaissance with 41 flashcards.
What was Humanism in 14th-century Italy?
A cultural movement rediscovering Greek and Latin classical works focused on literature.
What did humanists admire about classical style and authors?
The perfection and elegance of style and the human virtues represented.
What worldview did Medieval culture present regarding God's role?
A theocentric world with God at the center.
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