Flashcards: Cinema Evolution and Impact — 18 cartões

Todos os cartões

1Pergunta

British Documentary Movement — focus?

Resposta

Creative non-fiction blending art and reality

2Pergunta

John Grierson — contribution?

Resposta

Coined 'documentary,' emphasized creative treatment of actuality

3Pergunta

Creative treatment of actuality — meaning?

Resposta

Artistic, subjective approach to portraying real events

4Pergunta

Nanook of the North — significance?

Resposta

Early creative documentary influencing the style

5Pergunta

Documentary as art — shift?

Resposta

From raw recording to expressive, artistic films

6Pergunta

Origins of cinema — era?

Resposta

Late Victorian period in Britain

7Pergunta

Public/private spheres — in Victorian society?

Resposta

Division with limited female visibility in public

8Pergunta

Bicycle’s role?

Resposta

Enabled women’s independence, challenged gender norms

9Pergunta

Department stores — significance?

Resposta

Spaces for women’s social visibility in public

10Pergunta

Early instruments — examples?

Resposta

Magic lantern, thaumatrope, zoetrope, praxinoscope

11Pergunta

Kinetoscope — feature?

Resposta

Individual viewing device for moving images

12Pergunta

Cinematograph — innovation?

Resposta

Projection device for collective cinema experience

13Pergunta

First films — example?

Resposta

Phantom Ride, slapstick shorts

14Pergunta

Early cinema — audience?

Resposta

Shared, interactive, emotional communal responses

15Pergunta

Cinema evolution — progress?

Resposta

From static shots to complex editing techniques

16Pergunta

Documentary boundaries — challenge?

Resposta

Blurring of fact and fiction, staged scenes included

17Pergunta

Cinema grammar — development?

Resposta

From unedited shots to montage and sequencing

18Pergunta

Propaganda purpose?

Resposta

Influence public opinion and reinforce social norms

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Teste seu conhecimento com 18 perguntas sobre Cinema Evolution and Impact.

1. What was the main consequence of the British Documentary Movement for how cinema represented real events?

2. How would a filmmaker best apply the idea of the British Documentary Movement when making a nonfiction film about real events?

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